Critical Spatial Practice

Um Slaim Collective (2021)
  • Sara Alissa, Nojoud Alsudairi | Riyadh, Saudi Arabia

  • Um Slaim Collective, Film still, Riyadh (2021) Um Slaim Collective, Pursuit of site, Riyadh (2021) Um Slaim Collective, Lab, Riyadh (2021) Um Slaim Collective, Book excerpt , Riyadh (2021) Um Slaim Collective, Book excerpt , Riyadh (2021) Um Slaim Collective, Book excerpt , Riyadh (2021)
  • Um Slaim Collective (2021)
  • Sara Alissa, Nojoud Alsudairi | Riyadh, Saudi Arabia
  • “In a space where both construction and demolition coexist to form a void in the memory of the urban landscape, an awareness exists – out of necessity – to provide an essential continuity to the history of place.”


    The Um Slaim Collective is a critical investigation of the displacement of Najdi architecture in an area of central Riyadh, Saudi Arabia. This is an area undergoing large-scale redevelopment and regeneration, and thus facing the potential loss of architectural identity and social history. The project operates through a research lab situated between the AlMurabba area and the AlFutah neighbourhood in a mixed use residential and commercial building. The space has been vacant for two years after it served as a small cafeteria/restaurant prior.

    The Um Slaim collective is based on an interdisciplinary collaboration with other artists, architects, and practitioners to push boundaries that are essential for the integration of ideas, processes, and interventions. The work navigates through themes of participation, research, and documentation of architectural typologies under threat of demolition and redevelopment, as well as critically examining the effects of urban expansion in central Riyadh. We aim to address the relationship between architecture and the earth regarding the materiality of Najdi vernacular architecture, contemporary ecological issues and the questions we are facing in the city at the threshold of accelerated development, and with the potentially devastating impacts of climate change and the end of the oil age. 

    The project also addresses the residents of the area as stakeholders, as well as a wider international network of academics and practitioners. So far, the work has materialized in a physical and visual manifesto highlighting the process and outcomes of this exploration. The Um Slaim collective is also a space devoted to further research into Najdi architecture and its changing morphologies in current contemporary practices. It is currently open to collaborators and community members as a physical archive and research space and hosts different activations that include an exhibition on material experimentations, screenings and talks around the city’s past, present, and future.


    Biography

    In 2019, Sara Alissa & Nojoud Alsudairi co-founded syn architects, an interdisciplinary design and research practice based in Riyadh, Saudi Arabia. The work focuses on ecologically sensitive architectural design that derives its aesthetics from a contextual awareness of nature and looks into the essence of the materials and the sites in which they are found. Recently, they established the Um Slaim Collective, an outcome of the Situated Practice MA at the Bartlett, where they completed the program with distinction in 2022. They are also the co-founders of SaudiArachitecture.org, an independent organization that aims to research and archive modernist and post-modernist buildings in Saudi Arabia.

    https://umslaim.cargo.site

    https://www.saudiarchitecture.org


    Practices

    Looking into existing conditions to identify opportunities for repair, restoration, or intervention, we explore several methods to gather data that consists of archival research, collection of material, site mapping, and interviews with residents in the area. The project has worked towards a number of on-site activations and workshops that have provided more insights into the non-physical aspects of this analysis; it was also critical to engage with this site through various modes of artistic and research practice in the realm of both architecture and urbanism.


    Keywords
    restoration, earth, displacement, community, exploration, collaboration

    References

    Cavart, radical architectural practice (1973) Padua, Italy.

    Black Mountain College, Liberal Arts College (1993) North Carolina, United States.

    Assemble, multi-disciplinary collective (2010) London, United Kingdom.


    Other projects
  • Visible vs Invisible, (2022–)
  • Naisten Kaupunki – Työkaluja oman tilan valtaamiseen, (City of Women — Tools for Occupying Space) (2022) 
  • Moonfuture: Migration, Images and the Geological Interior (2022)
  • Dissolving the Dwelling (2021–2)
  • Washing White (2021)
  • Um Slaim Collective (2021)
  • Sonic Acts of Noticing (2021)
  • MGM_OurStarterCulture_5
    Our Starter Culture, (2021)
  • Making Map I: Animals and Anachronistic Architectures, development in progress (2021–)
  • Collateral (2021)
  • The Wandsworth Food Bus, (2020)
  • Progetto Minore. Alla ricerca della minorità nel progetto archiettonico ed urbanistico (2020)
  • 1-DMZ
    Architecture and Co-Existence: DMZ as Site, (2020)
  • Time on Site (2019)
  • Stori Mwd (A Story of Mud), (2019)
  • not nothing (August 2019)
  • Hungry Mothers, En La Frontera (2019 – present)
  • Exchanging Values at Bank (18 October 2019)
  • Cybiog: locating the digital self, (2019/20, 2 mins 45 secs)
  • Civic Pedagogy, learning as critical spatial practice (2019)
  • An Independent and Flexible and Precarious and Overworked Rehearsal, (January – December 2019)
  • An environmental history of La Guajira (2019)
  • A Weird-Tender in progress (2019)
  • Cecilie Sachs Olsen
    A walk in your words (25.01.2019)
  • Portal Zaryadye: A Portal Not Only to Heaven, But Aslo To Hell (24 July – 12 August 2018)
  • Text-isles: sowing an idea, October (2018)
  • Gilly-image-1
    Silent Conversation, (2018 – ongoing)
  • Objects removed for study (2018)
  • Female Futures Lexicon on Space (2018/2019)
  • 5, Big Bang 2 / Mid Graemetruby
    Bank Job, (2018–2020 and beyond)
  • Natalia Irina Roman, Tick Tack, Berlin (2019). Photographer: Natalia Irina Roman
    Along the Lines (2018–)
  • windwoundweatherwovenwirewoman [performance] (2017)
  • Viscous Myths (2017/2018)
  • The Pass (October 2017 – June 2018)
  • The House Alice Built (2017/2019)
  • Productive Withdrawals: Art Strikes, Art Worlds, and Art as a Practice of Freedom (December 2017)
  • Request for the unrequested voluntary interlinguisticality (2017)
  • Caring for Communities (2017 – 2019)
  • Bodies + Borders (2017 – present)
  • a place called … (Spring 2017)
  • Uppland (2016 – 18)
  • Music for Masterplanning (2016 – 17)
  • P | A | N – Proyecto Amasandería Nacional (2016)
  • Make Me Yours: How Art Seduces (2016)
  • Island Icarus (2016–2019)
  • In My Mothers’ Garden: Memories and practices of Greenham Common Women’s Peace Camp (2016)
  • Having not felt like eating, but eaten, I sat down to eat / tea … (2016)
  • Desiring the Dark: Feminist Scenographies, the City and the Night, (2016–2019)
  • Bamboo dialogues (2016)
  • ASSET ARREST (2016)
  • Alternative Arrangements: Walking the Border in Ireland (2016 – ongoing)
  • Matter of the Manor (2015 – 19)
  • The First World Congress of the Missing Things (2014)
  • Private Choices, Public Spaces (2014)
  • Hanging Matters (2014)
  • Act#5 & Act#6: What does Mai Mai Mean? (March 2014 – December 2016)
  • 03-FLATS (2014)
  • (small memorials), 2013–15
  • Mount Patawerta
    Gardening for Untold Ecologies: A Manual for Making an Arid GARDEN Out There, (2013)
  • A Game of Dominoes (2013)
  • Lina & Gio: the last humanists (February – June 2012)
  • Learning-through-Touring (2012)
  • Empty Words Build Empty Homes (2012)
  • Ridley’s (2011)
  • Hustadt project, 2008 – (2011)
  • Palimpsest Performances (2010 – 2014)
  • Negotiating Conflict: Bordering Practices in a Divided Beirut (2010 – 2014)
  • Expanded Architecture (2010 – 2014)
  • Unfixing Place: A Study of Istanbul through Topographical Practices (2008)
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