Critical Spatial Practice

 ‘Critical spatial practice’ came to my mind back in 2003 as a helpful way of describe projects located between art and architecture, that both critiqued the sites into which they intervened as well as the disciplinary procedures through which they operated. In Art and Architecture (2006), I argued that such projects operated at a triple crossroads: between theory and practice, between public and private, and between art and architecture, and I was keen to stress three particular qualities of those works: the critical, the spatial and the interdisciplinary. 

Other practitioners and theorists have since worked with the term, evolving it in different directions. For example, there was the reading group and blogspot initiated by Nicholas Brown in the early 2000s, which came out of discussions around Brown’s own artistic walking practice. In 2011, Nikolaus Hirsch and Marcus Miessen started a book series with Sternberg Press called Critical Spatial Practice which focused on architectural discourse and practice, and in the first publication they asked the question: ‘What is Critical Spatial Practice?’.

But as this website shows a whole multitude of practitioners and theorists have been developing work in an ‘expanded field’ such as this, quite different perhaps from the one Rosalind Krauss identified in 1979. This is work that overlaps, diverges, converges, runs in parallel, and in circles, and in many cases came before and goes beyond; from transparadiso’s ‘direct urbanism’ to Steve Loo’s ‘sites of perdurance’, these practices incorporate ‘event scores’, ‘insertions’ even ‘banalities’ and pay close attention to relation, position, performance and situation, as well duration.

If you would like to contribute a project or have an idea to help develop this resource, I’d love to hear from you – please get in touch – j.rendell@ucl.ac.uk.


‘For quite a while I have been following your research and writings with great interest and admiration. Your contributions to the expansion of theory and practice have been an important source of inspiration and encouragement for my own personal art/architectural research and curatorial investigations, and have helped bolster the ever-evolving trajectory of our organization. Thank you :)’

Carolyn Strauss, SLOW RESEARCH LAB

 

‘Your writings offer unending inspiration for both theoretical and design explorations into feminist, situated practice … both your previous scholarship on experimental feminist practices and your pedagogical work on Situated Practice at the Bartlett.’

Bryony W Roberts

 

‘Critical spatial practice has shaped so much of my thinking and approach to making art, teaching, and studying with and through the built environment.’

Dr Shauna Janssen, Assistant Professor | Specialization in Performance Creation | Department of Theatre, Affiliate | Department of Geography, Planning & Environment, Director | Institute for Urban Futures , Concordia University Research Chair | Performative Urbanism (2018-2023)


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