Critical Spatial Practice

Bamboo dialogues (2016)
  • Slow Research Lab | Ukiah, California, US

  • Data scientist Siobhán K. Cronin tests the geometric boundaries of designer Maria Blaisse’s bamboo cube. Photo: Terri Lowenthal for Slow Research Lab Dancer Tyler Rai surrenders to one of designer Maria Blaisse’s flexible bamboo meshes. Photo: Terri Lowenthal for Slow Research Lab.
  • In April 2016, Slow Research Lab convened a group of artists, curators, writers, and performers for a weekend retreat to explore the spatial and relational potentialities of Dutch designer Maria Blaisse’s flexible bamboo forms.

    For more than 40 years, Blaisse has conducted rigorous, cross-disciplinary investigations of both natural and human-made materials. In her work, form emerges and evolves through research at the intersection of body, material, and context. The Slow research retreat in Ukiah was part of Blaisse’s recent explorations at the scale of architecture, advancing a vision for the human-built environment as something flexible and closer to Nature.

    One of the participants was Siobhán K. Cronin, a data scientist with a background in music composition, dance, and neuroscience. (Cronin is the performer in the Vimeo linked video.) She later wrote of the experience: ‘The bamboo forms ask us to move with ‘other’ until our practice of engagement softens our understanding of other. It is not simply that we then see ourselves as one, since our consciousness continues to observe, yet we come to see self and other united in a continuum of forms and transformations. We experience the materializing and dematerializing of form as energy moving through space and time.’

    The fruits of the weekend retreat were generative: Cronin later joined us in Amsterdam to present at the international Conference for Complex Systems about the role that design can play in expanding the frontiers of complexity research. There we drew parallels between Blaisse’s inquiry into form, body, energy, and movement with that of Buckminster Fuller (synergetics), Paul Schatz (polysomatic forms), Christopher Alexander (generative grammar), and Viktor Schaumberger (living energies) – with the goal of revealing tangible ways of visualizing possible near-future developments in infrastructure and fluid digital interface, where our natural, constructed, and technological systems co-exist in dynamic, mutually-beneficial interplay.


    Biography:

    Slow Research Lab is a multidisciplinary research and curatorial platform offering an alternative space for theory and experimental practice. It operates at the intersections of phenomenology and ecology, mathematics and somatics, language and landscape. Contributing thinkers and practitioners are designers, architects, artists, ecologists, technologists and activists whose experimental, often speculative forms of practice challenge the conceptual, methodological and experiential boundaries of their varied disciplines. Through research residencies, exhibitions, publications, workshops, and academic projects, such collaborators are invited to enter into dynamic, cross-disciplinary processes of dialogue, the artifacts of which range from ephemeral, (im)material experiments to large-scale urban interventions. The platform has collaborated with a range of academic, institutional, and nonprofit partners, including the Canadian Centre for Architecture, Noguchi Museum, Design Academy Eindhoven, and UFRGS Porto Alegre, and Yerba Buena Centre for the Arts. Founded in New York in 2003, a European office, Stichting slowLab Europe, was opened in 2008. 

    http://slowlab.net


    Practices:

    Slow Research Lab initiates interdisciplinary projects that interrogate and respond to unique contexts and/or conditions of the human-built environment. Those ‘in-situ dialogues’ consider the broader ecology and evolving nature of a given site: including continuous unfoldings of material expression, visible and invisible webs of relationship (human/nonhuman, living/nonliving), sensorial and synaesthetic experiences that the site affords, and more. Within such temporary communities of practice, individual and collective desires give way to objects, spatial constructs, performance, sonic intervention, readings, writings, gestures, and actions – valuable not as ends to themselves, but as traces of process and portals to new levels of (mutual) understanding.


    Keywords:
    Intimacy, care, disruption, inclusion, not-knowing

    References:

    Donna Haraway, Staying With the Trouble: Making Kin in the Chthulucene (Duke University Press, 2016)

    https://read.dukeupress.edu/books/book/27/Staying-with-the-TroubleMaking-Kin-in-the

    Walter de Maria, ‘The New York Earth Room’ (1977) https://www.diaart.org/visit/visit/walter-de-maria-the-new-york-earth-room-new-york-united-states/

    Louis Le Roy, ‘EcoCathedral’ (1966 to 3000), Mildam, The Netherlands http://www.spacesarchives.org/explore/collection/environment/louis-le-roy-ecokathedraal-eco-cathedral/


    Other projects:
  • Time on Site (2019)
  • Stori Mwd (A Story of Mud), (2019)
  • not nothing (August 2019)
  • Hungry Mothers, En La Frontera (2019 – present)
  • Exchanging Values at Bank (18 October 2019)
  • Cybiog: locating the digital self, (2019/20, 2 mins 45 secs)
  • Civic Pedagogy, learning as critical spatial practice (2019)
  • An environmental history of La Guajira (2019)
  • A Weird-Tender in progress (2019)
  • A walk in your words (25.01.2019)
  • Portal Zaryadye: A Portal Not Only to Heaven, But Aslo To Hell (24 July – 12 August 2018)
  • Text-isles: sowing an idea, October (2018)
  • Objects removed for study (2018)
  • Female Futures Lexicon on Space (2018/2019)
  • windwoundweatherwovenwirewoman [performance] (2017)
  • Viscous Myths (2017/2018)
  • The Pass (October 2017 – June 2018)
  • The House Alice Built (2017/2019)
  • Productive Withdrawals: Art Strikes, Art Worlds, and Art as a Practice of Freedom (December 2017)
  • Request for the unrequested voluntary interlinguisticality (2017)
  • Caring for Communities (2017 – 2019)
  • Bodies + Borders (2017 – present)
  • a place called … (Spring 2017)
  • Uppland (2016 – 18)
  • Music for Masterplanning (2016 – 17)
  • P | A | N – Proyecto Amasandería Nacional (2016)
  • Make Me Yours: How Art Seduces (2016)
  • In My Mothers’ Garden: Memories and practices of Greenham Common Women’s Peace Camp (2016)
  • Having not felt like eating, but eaten, I sat down to eat / tea … (2016)
  • Bamboo dialogues (2016)
  • Alternative Arrangements: Walking the Border in Ireland (2016 – ongoing)
  • Matter of the Manor (2015 – 19)
  • The First World Congress of the Missing Things (2014)
  • Private Choices, Public Spaces (2014)
  • Hanging Matters (2014)
  • Act#5 & Act#6: What does Mai Mai Mean? (March 2014 – December 2016)
  • A Game of Dominoes (2013)
  • Lina & Gio: the last humanists (February – June 2012)
  • Learning-through-Touring (2012)
  • Empty Words Build Empty Homes (2012)
  • Ridley’s (2011)
  • Hustadt project, 2008 – (2011)
  • Palimpsest Performances (2010 – 2014)
  • Negotiating Conflict: Bordering Practices in a Divided Beirut (2010 – 2014)
  • Expanded Architecture (2010 – 2014)
  • Unfixing Place: A Study of Istanbul through Topographical Practices (2008)
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