Critical Spatial Practice

Learning-through-Touring (2012)
  • Juliet Sprake | London

  • Sprake-connecting Sprake-noticing Sprake-seedingthreading Sprake-Stumbling-upon
  • Learning-through-Touring is a methodology for exploring ways in which people interact with the built environment in the spaces around, between and within buildings.  The key idea is that learning through touring is haptic – the learner is a physical, cognitive and emotional participant in the process.  The research develops the concept that tours, rather than conceived as finished products, are designed to evolve through use participation and over time.  In all of this, there is an underlying belief that what is formally presented to us by ‘authorities’ is open to self-discovery, questioning and independent enquiry.  

    The mobilised learner is introduced as a participant who interacts with technologically embedded cues that prompt change and action between, in and around buildings. Three pairs of productive concepts and conceptual methods drawn from theoretical investigations and design practice:
    subjective archaeology / micromapping
    sensory interplay / haptic referencing
    critical tour guides / ground untruthing 
    are presented as building blocks for the methodology developed through projects to investigate attributes of the mobilised learner.  The research aims to open up thinking around what we mean by mobilised learning and how this contributes to the design of tools and services for exploring places.


    Biography:

    I’m a senior lecturer in Design at Goldsmiths, University of London and completed a PhD by Architectural Design in 2008.  I’m interested in mobilised learning, participatory sensing and designing alternative methods for navigating the urban landscape.  An important aspect of my work has been in using technologies to sense and record change in the material fabric of our built environment so that buildings can be described as ‘learning-enabled’.  I am now working on an emerging project that explores methods for writing poetry whilst on-the-move and publishing this as geo-located data. 


    Practices:

    I have developed socio-spatial production of the tour as a form of critical spatial practice.

    This has involved affecting shifts in thinking from site as fixed location to a context for learning, from the institutional preservation of buildings to everyday user activation and from consumer product to socially produced tour to evolve learner-centred approaches to touring as a process.  Making ‘insertions’ into existing locations, exploring relations between immediate reactions and reverberations over time, linking concentration with contemplation in making critical responses has evolved a particular understanding of participation – in which people use the mediating capacities of geo-located data, audio narratives or annotated maps as cues to action in seemingly controlled spaces.


    Keywords:
    Tour, mobilise, guide, participation, cues, poetics

    References:

    Paul Rodaway. 2011. Sensuous Geographies, London: Routledge

    Brian Larkin. 2013. The Politics and Poetics of Infrastructure, Annual Review Anthropology 42:327–43

    Kenneth Goldsmith. 2011. Uncreative Writing, New York/Chichester: Columbia University Press


    Download:
    Sprake Extract
    Other projects:
  • not nothing (August 2019)
  • Stori Mwd (A Story of Mud), (2019)
  • Time on Site (2019)
  • Caring for Communities (2017-2019)
  • Matter of the Manor (2015-19)
  • Viscous Myths (2017/2018)
  • The Pass (October 2017–June 2018)
  • Portal Zaryadye: A Portal Not Only to Heaven, But Aslo To Hell (24 July 2018 – 12 July 2018)
  • Bamboo dialogues (2016)
  • Hanging Matters (2014)
  • Civic Pedagogy, learning as critical spatial practice (2019)
  • A Weird-Tender in progress (2019)
  • A walk in your words (25.01.2019)
  • Text-isles: sowing an idea, October (2018)
  • Objects removed for study (2018)
  • windwoundweatherwovenwirewoman [performance] (2017)
  • Request for the unrequested voluntary interlinguisticality (2017)
  • Bodies + Borders (2017 – present)
  • a place called … (Spring 2017)
  • Uppland (2016-18)
  • P | A | N – Proyecto Amasandería Nacional (2016)
  • Make Me Yours: How Art Seduces (2016)
  • Music for Masterplanning (2016-17)
  • In My Mothers’ Garden: Memories and practices of Greenham Common Women’s Peace Camp (2016)
  • Having not felt like eating, but eaten, I sat down to eat / tea … (2016)
  • Alternative Arrangements: Walking the Border in Ireland (2016 – ongoing)
  • The First World Congress of the Missing Things (2014)
  • Private Choices, Public Spaces (2014)
  • A Game of Dominoes (2013)
  • Lina & Gio: the last humanists (February-June 2012)
  • Learning-through-Touring (2012)
  • Empty Words Build Empty Homes (2012)
  • Ridley’s (2011)
  • Palimpsest Performances (2010-2014)
  • Expanded Architecture (2010-2014)
  • Negotiating Conflict: Bordering Practices in a Divided Beirut (2010 – 2014)
  • Unfixing Place: A Study of Istanbul through Topographical Practices (2008)
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