Critical Spatial Practice

Objects removed for study (2018)
  • Rafael Guendelman Hales | The Iraqi Community Association of London.

  • Rafael Guendelman Hales, Objects Removed for Study (2018) The Iraqi Community Association of London. Photographs: Ignacio Rivas. Rafael Guendelman Hales, Objects Removed for Study (2018) The Iraqi Community Association of London. Photographs: Ignacio Rivas. Rafael Guendelman Hales, Objects Removed for Study (2018) The Iraqi Community Association of London. Photographs: Ignacio Rivas. Rafael Guendelman Hales, Objects Removed for Study (2018) The Iraqi Community Association of London. Photographs: Ignacio Rivas. Rafael Guendelman Hales, Objects Removed for Study (2018) The Iraqi Community Association of London. Photographs: Ignacio Rivas. Rafael Guendelman Hales, Objects Removed for Study (2018) The Iraqi Community Association of London. Photographs: Ignacio Rivas. Rafael Guendelman Hales, Objects Removed for Study (2018) The Iraqi Community Association of London. Photographs: Ignacio Rivas.
  • Objects removed for study consists of the recreation of a fraction of the Library of Ashurbanipal, present in the British Museum, by a group of women from the Iraqi community in London. Inspired by the library’s main role as a guide for the Assyrian King Ashurbanipal, for this project I invited a group of women to rewrite the books, suggesting that they might do so by responding to the contemporary situation in Iraq. The project strives to rethink critically, in the contemporary context of displacements, both the identity and the role that these old artefacts, colonized years ago, can serve in articulating new sensibilities and possibilities today.


    Biography:

    Rafael Guendelman Hales is an artist who graduated with a bachelor’s degree in Fine Arts from Universidad Catolica de Chile (PUC) and with a Master degree in Situated Practice at University College London. He has a diploma in Film Theory (PUC) on Contemporary Arab World at Universidad de Chile and has participated in the Art residency programs of  ZK/U in Berlin and Laznia in Gdansk, Poland. Rafael has received the National Art Funds of Chile (FONDART) several times; the Art Funding of the Department of Foreign Affairs (DIRAC) and the National Scholarship for Master Studies (CONICYT). His works have been exhibited in several art spaces and video festivals both in Chile and abroad.

    Rafael’s work focuses on the research of certain contexts and stories, and the relation of humans with their territory in constructing identities. In that sense, his projects are linked to both political and social processes, and to personal memories and marginal events; and the ways in which they can be narrated through art.

    More info: www.rafaelguendelman.com


    Practices:

    The library that comprises Objects removed for study was produced in collaboration with members of the Iraqi community in London, while thinking through what Donna Haraway has called ‘epistemologies of location, positioning, and situating, where partiality and not universality is the condition’, (1) so creating a way of looking at artefacts that opposes the idea of a centralised narrative.

    (1) Donna Haraway, ‘Situated Knowledges: The Science Question in Feminism and the Privilege of Partial Perspective’, Feminist Studies, v.14, n.3, (1988). p. 589.


    Keywords:
    Participation
    Encounters
    Antagonism
    Displacements
    Narratives
    Iraq

    References:

    Knut Ebeling, There Is No Now: An Archaeology of Contemporaneity, (Sternberg Press, 2017) (Book)

    Hello World: Revising a Collection, exhibition, Hamburger Bahnhof – Museum für Gegenwart, Berlin, 2018. (Art Exhibition/Project)

    Lee Wan, Mr. K and the Collection of Korean History, (2017), Korean pavilion, 57th Venice Biennale. (Art work)


    Download:
    Objects_A_Text
    Other projects:
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  • Stori Mwd (A Story of Mud), (2019)
  • Time on Site (2019)
  • Caring for Communities (2017-2019)
  • Matter of the Manor (2015-19)
  • Viscous Myths (2017/2018)
  • The Pass (October 2017–June 2018)
  • Portal Zaryadye: A Portal Not Only to Heaven, But Aslo To Hell (24 July 2018 – 12 July 2018)
  • Bamboo dialogues (2016)
  • Hanging Matters (2014)
  • Civic Pedagogy, learning as critical spatial practice (2019)
  • A Weird-Tender in progress (2019)
  • A walk in your words (25.01.2019)
  • Text-isles: sowing an idea, October (2018)
  • Objects removed for study (2018)
  • windwoundweatherwovenwirewoman [performance] (2017)
  • Request for the unrequested voluntary interlinguisticality (2017)
  • Bodies + Borders (2017 – present)
  • a place called … (Spring 2017)
  • Uppland (2016-18)
  • P | A | N – Proyecto Amasandería Nacional (2016)
  • Make Me Yours: How Art Seduces (2016)
  • Music for Masterplanning (2016-17)
  • In My Mothers’ Garden: Memories and practices of Greenham Common Women’s Peace Camp (2016)
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  • The First World Congress of the Missing Things (2014)
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  • A Game of Dominoes (2013)
  • Lina & Gio: the last humanists (February-June 2012)
  • Learning-through-Touring (2012)
  • Empty Words Build Empty Homes (2012)
  • Ridley’s (2011)
  • Palimpsest Performances (2010-2014)
  • Expanded Architecture (2010-2014)
  • Negotiating Conflict: Bordering Practices in a Divided Beirut (2010 – 2014)
  • Unfixing Place: A Study of Istanbul through Topographical Practices (2008)
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